
Domestic Total: 2.52K
Opening Weekend: 817.00
Legs: 1.04
Overview: The world is a perplexing, peaceful mystery to Amélie until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family's housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family's idyllic life as foreigners in post-war Japan.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Sun, Jan 25, 2026 | $817 | + 0.00% | 4 |
| Tue, Jan 27, 2026 | $1,413 | + 72.95% | 4 |
| Thu, Jan 29, 2026 | $36 | -97.45% | 4 |
| Mon, Feb 2, 2026 | $60 | + 66.67% | 5 |
| Thu, Feb 5, 2026 | $192 | + 220.00% | 5 |
| Name | Character |
|---|---|
| Loïse Charpentier | Amélie (voice) |
| Victoria Grobois | Nishio-San (voice) |
| Yumi Fujimori | Kashima-San (voice) |
| Cathy Cerda | Claude, the grandmother (voice) |
| Marc Arnaud | Patrick, the father (voice) |
| Laëtitia Coryn | Daniele, the mother (voice) |
| Haylee Issembourg | Juliette (voice) |
| Isaac Schoumsky | André (voice) |
| François Raison | Doctor / Radio Voice (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Les Misérables | Nov 14, 2019 | $3M |
| Twiceborn | Oct 16, 2020 | $0 |
| Mia and the White Lion | Aug 2, 2018 | $10M |
| Benedetta | Jul 9, 2021 | $24M |
| Petite Maman | Jun 2, 2021 | $3M |
| Aline | Nov 19, 2020 | $26M |
| The Farewell | Jul 12, 2019 | $250K |
| Mr. Holmes | Jun 19, 2015 | $11M |
Week 1: $2.52K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$1.88M (99.87%)
Investor Share: $659.21K
Budget: $11M
P&A: $11M
Gross: $1.89M
Net: $660.72K
Costs: $22.2M
Profit: $-21.54M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.