
Domestic Total: 7.86M
Opening Weekend: 0.00
Legs: 1.00
Overview: With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history. Will they come to terms with what they uncover, or will they make… the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it? A theatrical screening of episode 8 and the all new, hour-long episode 9.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jun 4, 2026 | $7,856,552 | + 0.00% | 2221 |
| Name | Character |
|---|---|
| Lizzie Freeman | Pomni (voice) |
| Michael Kovach | Jax (voice) |
| Amanda Hufford | Ragatha (voice) |
| Marissa Lenti | Gangle (voice) |
| Sean Chiplock | Kinger (voice) |
| Ashley Nichols | Zooble (voice) |
| Alex Rochon | Caine (voice) |
| Gooseworx | Bubble (voice) |
| Skye Redden | Ribbit (voice) |
| Cassie Ewulu | Queenie (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Night of the Zoopocalypse | Jan 23, 2025 | $12M |
| Ice Age: Collision Course | Jun 23, 2016 | $105M |
| Ron's Gone Wrong | Oct 14, 2021 | $0 |
| Inside Out | Jun 17, 2015 | $175M |
| Hoppers | Mar 4, 2026 | $150M |
| Strange World | Nov 23, 2022 | $180M |
| Elio | Jun 18, 2025 | $150M |
| Belle | Jul 16, 2021 | $0 |
Week 1: $7.86M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $7.86M
Net: $4.71M
Costs: $0.00
Profit: $4.71M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.