Domestic Total: 28.64M
Opening Weekend: 19.1M
Legs: 1.61
Overview: Two colleagues become stranded on a deserted island, the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jan 29, 2026 | $2,200,000 | + 0.00% | |
| Fri, Jan 30, 2026 | $7,273,015 | + 230.59% | 3475 |
| Sat, Jan 31, 2026 | $7,111,352 | -2.22% | 3475 |
| Sun, Feb 1, 2026 | $4,717,932 | -33.66% | 3475 |
| Mon, Feb 2, 2026 | $1,441,781 | -69.44% | 3475 |
| Tue, Feb 3, 2026 | $2,499,011 | + 73.33% | 3475 |
| Wed, Feb 4, 2026 | $1,464,197 | -41.41% | 3475 |
| Thu, Feb 5, 2026 | $1,332,460 | -9.00% | 3475 |
| Fri, Feb 6, 2026 | $2,800,000 | + 110.14% | 3475 |
| Name | Character |
|---|---|
| Rachel McAdams | Linda Liddle |
| Dylan O'Brien | Bradley Preston |
| Edyll Ismail | Zuri |
| Dennis Haysbert | Franklin |
| Xavier Samuel | Donovan |
| Chris Pang | Chase |
| Thaneth Warakulnukroh | Boat Captain |
| Emma Raimi | River |
| Bruce Campbell | Bradley's Father |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Don't Let Go | Aug 30, 2019 | $5M |
| mother! | Sep 13, 2017 | $30M |
| Unsane | Mar 22, 2018 | $2M |
| Money Monster | May 12, 2016 | $27M |
| Traffik | Apr 20, 2018 | $4M |
| Morgan | Sep 1, 2016 | $8M |
| The Menu | Nov 17, 2022 | $35M |
| Assassination Nation | Sep 21, 2018 | $7M |
Week 1: $26.71M
Week 2: $4.13M
Investor Share: $2.27M
Week 3+: $0.00
Investor Share: $0.00
$8.09M (20.79%)
Investor Share: $2.83M
Budget: $40M
P&A: $40M
Gross: $36.73M
Net: $21.13M
Costs: $80M
Profit: $-58.87M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.