Domestic Total: 73.64M
Opening Weekend: 64.01M
Legs: 1.26
Overview: One year since the supernatural nightmare at Freddy Fazbear's Pizza, the stories about what transpired there have been twisted into a campy local legend, inspiring the town's first ever Fazfest. With the truth about what transpired kept from her, Abby sneaks out to reconnect with Freddy, Bonnie, Chica, and Foxy, setting into motion a terrifying series of events that will reveal dark secrets about the true origin of Freddy's, and unleash a long-forgotten horror hidden away for decades.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Dec 4, 2025 | $7,200,000 | + 0.00% | 3000 |
| Fri, Dec 5, 2025 | $29,957,030 | + 316.07% | 3412 |
| Sat, Dec 6, 2025 | $20,801,885 | -30.56% | 3412 |
| Sun, Dec 7, 2025 | $13,248,515 | -36.31% | 3412 |
| Mon, Dec 8, 2025 | $3,030,480 | -77.13% | 3412 |
| Tue, Dec 9, 2025 | $4,012,115 | + 32.39% | 3412 |
| Wed, Dec 10, 2025 | $2,594,105 | -35.34% | 3412 |
| Thu, Dec 11, 2025 | $2,336,885 | -9.92% | 3412 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The First Purge | Jul 4, 2018 | $13M |
| Ouija: Origin of Evil | Oct 20, 2016 | $9M |
| Insidious: The Red Door | Jul 5, 2023 | $16M |
| Split | Jan 19, 2017 | $9M |
| Black Christmas | Dec 11, 2019 | $5M |
| Insidious: The Last Key | Jan 3, 2018 | $10M |
| Incarnate | Dec 1, 2016 | $5M |
| Five Nights at Freddy's | Oct 25, 2023 | $20M |
Week 1: $80.84M
Week 2: $2.34M
Investor Share: $1.29M
Week 3+: $0.00
Investor Share: $0.00
$46.55M (35.88%)
Investor Share: $16.29M
Budget: $36M
P&A: $36M
Gross: $120.19M
Net: $66.08M
Costs: $72M
Profit: $-5.92M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.