Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Before he led a nation, George Washington was a young soldier thrown into a global conflict. With alliances crumbling and war closing in, he must choose who to trust and confront the leader he's becoming.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| William Franklyn-Miller | George Washington |
| Ben Kingsley | Robert Dinwiddie |
| Andy Serkis | General Edward Braddock |
| Kelsey Grammer | Lord Fairfax |
| Joel Smallbone | William Fairfax |
| Mary-Louise Parker | Mary Washington |
| Mia Rodgers | Sally Cary |
| Jonno Davies | James Mackay |
| Leo Hanna | Christopher Gist |
| Angus Castle-Doughty | David Frisk |
| Fearghal Geraghty | Henry Frisk |
| Ryan Begay | Tanacharison, the Half King |
| John Foss | Lawrence Washington |
| Michael Benz | Thomas Gage |
| Martijn Lakemeier | Jacob Van Braam |
| Will Joseph | Young George |
| Alfie Kiely | Jack Washington |
| Clement Toyon | Joseph Coulon de Jumonville |
| Nicholas Antoniou | Tucker Bowman |
| Paul Delahunty | Virginia Redcoat |
| Declan Gill | Solider (uncredited) |
| Gerard Power | Redcoat (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Midway | Nov 6, 2019 | $100M |
| Gran Turismo | Aug 9, 2023 | $60M |
| Megan Leavey | Jun 9, 2017 | $0 |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| Adrift | May 31, 2018 | $35M |
| Tolkien | May 3, 2019 | $20M |
| Only the Brave | Sep 22, 2017 | $38M |
| Indivisible | Oct 26, 2018 | $0 |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $0.00
Net: $0.00
Costs: $0.00
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.