Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: In 1970s Detroit, John Miller falls for a local gangster's girl and lands in prison for a crime he didn't commit. With his life ruined, Miller plots revenge against the man who took his girl away.
TMDB
IMDB
Metacritic
RT Tomato
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| Alan Ritchson | John Miller |
| Shailene Woodley | Sophia |
| Ben Foster | Reynolds |
| Amar Chadha-Patel | Singh |
| Ben McKenzie | Kent |
| Lionel Boyce | Youngblood |
| Pablo Schreiber | Savick |
| Rafael Cebrian | Athos |
| Peter Epstein | Dirty Cop |
| Dominic Bogart | Porthos |
| Scott Vogel | Pedestrian |
| Iván Amaro Bullón | Detroit Cop |
| Tom Johnson | N/A |
| Oleg Prudius | The Heavy |
| Mister Fitzgerald | Aramis |
| Elliott Mayer | P. Garrett |
| Vivia Font | Care giver |
| James Blake Carrington | Cop |
| Dennis Jay Funny | Factory Worker |
| Bob Leszczak | Funeral Attendee |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Black and Blue | Oct 25, 2019 | $12M |
| John Wick: Chapter 2 | Feb 8, 2017 | $40M |
| Mechanic: Resurrection | Aug 25, 2016 | $40M |
| Proud Mary | Jan 12, 2018 | $14M |
| The Gentlemen | Jan 1, 2020 | $22M |
| The Hitman's Bodyguard | Aug 16, 2017 | $30M |
| Sicario: Day of the Soldado | Jun 27, 2018 | $35M |
| Den of Thieves | Jan 18, 2018 | $30M |
Profitability Breakdown
Domestic
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (NaN%)
Investor Share: $N/A
Costs
Budget: $30M
P&A: $30M
Breakdown
Gross: $0.00
Net: $0.00
Costs: $60M
Profit
Profit: $-60M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
