Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: While celebrating their last night together, high school graduates and best friends Jo and Raissa stumble upon a mysterious portal that transports them to the fantastical island of Nakali. When they discover that the memories of their entire friendship are the price for returning home, Jo and Raissa must race to find a way to leave the island before they forget each other forever.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| H.E.R. | Jo (voice) |
| Liza Soberano | Raissa (voice) |
| Dave Franco | Raww (voice) |
| Lea Salonga | Manang (voice) |
| Manny Jacinto | Bungi (voice) |
| Jenny Slate | Batiba (voice) |
| Dolly de Leon | Lola Fatima (voice) |
| Jo Koy | Datu (voice) |
| Ronny Chieng | King Truffle Wuffle (voice) |
| Amielynn Abellera | Raissa's Mother (voice) |
| Kevin McCann | Prince Mermahn (voice) |
| Kailey Crawford | Young Jo (voice) |
| Kayla Teruel | Young Raissa (voice) |
| Kristin Villanueva | (voice) |
| Sophia Laforteza | (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Rock Dog | Jul 8, 2016 | $60M |
| Norm of the North | Jan 14, 2016 | $7M |
| The Secret Life of Pets | Jun 18, 2016 | $75M |
| Puss in Boots: The Last Wish | Dec 7, 2022 | $90M |
| Abominable | Sep 19, 2019 | $75M |
| Onward | Feb 29, 2020 | $200M |
| Sherlock Gnomes | Mar 15, 2018 | $59M |
| The Croods: A New Age | Nov 25, 2020 | $65M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$14.95K (100.00%)
Investor Share: $5.23K
Budget: $N/A
P&A: $N/A
Gross: $14.95K
Net: $5.23K
Costs: $0.00
Profit: $5.23K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.