Movie Information
Domestic Total: 2.13M
Opening Weekend: 65.59K
Legs: 3.85
Overview: On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers celebrates the opening night of his ground-breaking hit musical “Oklahoma!”.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
Cast
| Name | Character |
|---|---|
| Ethan Hawke | Lorenz Hart |
| Margaret Qualley | Elizabeth Weiland |
| Bobby Cannavale | Eddie |
| Andrew Scott | Richard Rodgers |
| Jonah Lees | Morty Rifkin |
| Simon Delaney | Oscar Hammerstein II |
| Patrick Kennedy | E.B. White |
| Giles Surridge | Sven |
| John Doran | Weegee |
| Caitríona Ennis | Cigarette Girl |
| Ian Dillon | Elizabeth’s Mothers Friend (uncredited) |
| Brian Briggs | Waiter |
| Ray Weafer | Maitre'd at Sardi's (credit only) |
| Cillian Sullivan | Stephen Sondheim |
| David Rawle | George Roy Hill |
| Andrew Bennett | Oklahoma City Mayor |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Patriots Day | Dec 12, 2016 | $45M |
| Is This Thing On? | Dec 19, 2025 | $0 |
| Armageddon Time | Oct 28, 2022 | $15M |
| Bombshell | Dec 13, 2019 | $32M |
| The Favourite | Nov 23, 2018 | $15M |
| Blaze | Aug 17, 2018 | $1M |
| Detroit | Jul 28, 2017 | $34M |
| Mary Queen of Scots | Dec 7, 2018 | $25M |
Profitability Breakdown
Domestic
Week 1: $100.86K
Week 2: $902.04K
Investor Share: $496.12K
Week 3+: $1.13M
Investor Share: $564.8K
International
$805.61K (27.42%)
Investor Share: $281.96K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $2.94M
Net: $1.4M
Costs: $0.00
Profit
Profit: $1.4M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
